Analysing ‘Salò, or the 120 Days of Sodom’ (1975) – Film Review

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Unanimously deemed one of the most controversial films ever made by all those who see it. Pier Paolo Pasolini delves into the abject abscesses of human spirit in his adaptation of Marquis de Sade’s 18th century novel.

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Analysing ‘Only God Forgives’ (2013) – Film Review

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Two years after the commercial success of his 2011 neo-noir ‘Drive’ Nicolas Winding Refn takes a step back from narrative storytelling and cinema as entertainment to deliver a surrealist piece of art about crime, punishment and the search for God, misunderstood and underrated by mainstream audience. MIGHT CONTAIN SPOILERS

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